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In Architecture of the World's Major Religions: An Essay on Themes, Differences, and Similarities , Thomas Barrie presents and explains religious architecture in ways that challenge predominant presumptions regarding its aesthetic, formal, spatial, and scenographic elements. Two positions frame its narrative: religious architecture is an amalgam of aesthetic, social, political, cultural, economic, and doctrinal elements; and these elements are materialized in often very different ways in the world's principal religions. Central to the work's theoretical approaches is the communicative and discursive agency of religious architecture, and the multisensory and ritual spaces it provides to create and deliver content. Subsequently, mythical and scriptural foundations, and symbols of ecclesiastical and political power are of equal interest to formal organizations of thresholds, paths, courts, and centers, and celestial and geometric alignments. Moreover, it is equally concerned with the aesthetic, visual and material cultures and the transcendent realms they were designed to evoke, as it is with the kinesthetic, the dynamic and multisensory experience of place and the tangible experiences of the body's interactions with architecture.

Religious architecture.

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Architecture, Ottoman --- Religious architecture

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Sacred buildings are among the oldest types of edifice produced in human civilisation. As they have throughout history, the construction of churches, synagogues, mosques and other building which are used for sacred, ritual or ceremonial acts is still considered the most prestigious of construction tasks. Next to functional demands, which are heavily ritualized in liturgical practice, the architects must concentrate particularly on the aesthetic expression. The space must operate as a framework for belief, with specific reference to the religion to be served. It must also be an appropriate stage for the experience of the divine service and concomitant spirituality. This volume shows exceptional examples of buildings from the various religions and denominations which often attain the status of works of art. By acknowledging the concept of world religions, exciting parallels and clear distinctions in contemporary sacred architecture emerge.

Religious architecture --- Religious facilities --- Sacred space

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Open Access: The Archivolted Portals of Northern Spain and Western France within the Theology and Politics of Entry explores the history, development, and accrued connotations of a distinctive entry configuration comprised of a set of concentrically stepped archivolts surrounding a deliberate tympanum-free portal opening. These "archivolted" portals adorned many of the small, rural ecclesiastical structures dotting the countryside of western France and northern Spain in the twelfth century. ...

Church doorways --- Religious architecture --- Doorways --- Spiritual architecture --- Architecture --- History

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Borrowing from a range of theories on spacemaking and material religion, and with contributions from anthropologists working in the United Kingdom, Mali, Brazil, Spain, and Italy, this fascinating and comprehensive study develops an anthropological perspective on modern religious architecture including mosques, churches, and synagogues. 'Religious Architecture' examines how religious buildings take their place in opposition to their secular surroundings and, in so doing, function not only as community centers in urban daily life, but also as evocations of the sublime that help believers to move beyond the boundaries of modern subjectivity.

Architecture and anthropology --- Religious architecture --- Architecture and anthropology. --- Religious architecture. --- Art, Architecture & Applied Arts --- Architecture --- Spiritual architecture --- Anthropology and architecture --- Anthropology